I film the stories people walk past.
Documentaries, branded films and photography from Lagos. I edit everything I shoot, so I shoot with the cut in mind.
The background video is paused to save data.
Documentary first.
Most of my work starts the same way: find the people the news skips, get close, and let them talk.
Traders in Ibadan. Delivery riders in Lagos. A woman living with leprosy in Adamawa. A city's underground rave scene.
Brands hire me for the same thing: real people on camera, a small crew, and a cut that's ready faster because the editor was on set.
Everything else follows.
Views on YouTube for Lagos: War Against Camera.
To shoot, edit and release Riding to Survive.
Documentaries produced, directed and edited in 2026.
Research and access
Every project starts with the people in it. I research the story, earn access, and agree the goals, audience and budget with you before a camera comes out.
- Story and people
- Access and permissions
- Budget
- Treatment
- Interview plan
- Shooting plan
On set
A small crew, so people stay relaxed. I shoot film and stills on the same day, and I plan every shot around the edit.
- Filming
- Interviews
- Stills
Edit and delivery
I cut, grade and mix the film myself. You see a first cut quickly, and I deliver versions for YouTube, social and broadcast.
- Edit and sound
- Colour grade
- Titles and subtitles
- Delivery